It’s always a good time when Lady Gaga is featured in any editorial fashion shoot, and her latest with Harper’s Bazaar is no exception.
Gaga’s longtime friend Terry Richardson to lens the futuristic spread for their March issue, and the outcome was something like a Technicolor snowflake explosion for the Jetsons-imagined future.
While the spread is one to gawk over, Lady Gaga’s honest interview takes a darker turn, as she talks depression, not really having a place to call home, and learning to navigate fame.
Check out the excerpts from the interview and the images below.
On how she archives her fashion from over the years:
“The fashion I’ve acquired over the years is so sacred to me—from costumes to couture, high fashion to punk wear I’ve collected from my secret international hot spots. I keep everything in an enormous archive in Hollywood. The clothes are on mannequins, also on hangers and in boxes with a photo of each piece, and there’s a Web site where I can go to look through everything. It’s too big—I could never sort through it myself! But these garments tell the stories of my life. And then there are the tour pieces. This is the section that is most sacred to me. These are the pieces that have collected energy, joy, and screams from fans all over the world. My fashion is my most prized possession for two reasons: 1) because it is a visualization of all the hard work I’ve put in to get where I am today; 2) because it is a legend to the encyclopedia of my life. It is exactly what I’ve aimed to seep into the artistic consciousness of people all over the world—that life is an art form.”
When asked about her home, Lady Gaga answered:
“My “home” is a controversial topic. I don’t exactly have one. I live all over the world. I keep a small rental in New York, where I hang many of my hats when I come to see my parents and New York pals. It’s like a tiny jewel box, covered in rose-gold mirrors, with an oversize pink couch, an expensive vase, a white Marilyn piano, and a boudoir. I do not keep a lot of clothes here—mostly punk wear. And the three most expensive items I’ve ever purchased, including an actual house: my sable, a strand of diamonds, and my Mikimoto pearls.”
On how the future will feel about fashion right now:
“I’m not sure. I imagine that there will be a revival of some of these aesthetics—the more bold ones. Those who have watered down themselves for “sale” might make money now, but they are shortchanging their legend. I always think to myself, How do I want to be remembered? I don’t want to be remembered as anything but brave. The only good intention to make money is to help others. I want to be Oprah. I want to be Melinda Gates. If I ever sell products other than my talents, then it will be to give more to others.”
On battling depression:
“I became very depressed at the end of 2013. I was exhausted fighting people off. I couldn’t even feel my own heartbeat. I was angry, cynical, and had this deep sadness like an anchor dragging everywhere I go. I just didn’t feel like fighting anymore. I didn’t feel like standing up for myself one more time—to one more person who lied to me. But January 1, I woke up, started crying again, and I looked in the mirror and said, “I know you don’t want to fight. I know you think you can’t, but you’ve done this before. I know it hurts, but you won’t survive this depression.” I really felt like I was dying—my light completely out. I said to myself, “Whatever is left in there, even just one light molecule, you will find it and make it multiply. You have to for you. You have to for your music. You have to for your fans and your family.” Depression doesn’t take away your talents—it just makes them harder to find. But I always find it. I learned that my sadness never destroyed what was great about me. You just have to go back to that greatness, find that one little light that’s left. I’m lucky I found one little glimmer stored away.”
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